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Music review: Metronomy’s The English Riviera

15 May

To be honest it’s been very difficult to prise the third album from British band Metronomy from my hands over the last week. It’s a glamorous companion to Spring and Summer evenings, most definitely with the once soaring sun starting to wane, ready to be replaced by the moon.

The beach scene is set by the sound of waves lapping the sand when it starts. We are taken to an early Bowie-esque vibe with We Broke Free but this is by no means the feel of The English Riviera. Next up is a completely contrasting dulcet duet Everything Goes My Way about a reunited couple. The album is interspersed with funky electronica on tracks like The Look and The Bay. She Wants, seemingly about sleeplessness, is reminiscent of the eighties – a touch like the slightly mysterious feel of the band Japan. The album comes to a climactic closure with Love Underlined. Unusually, every track is a gem. Founder of the band, James Mount from Devon, has, with this current line-up of the band, put together an addictive collection.

Film review: Submarine

29 Apr

http://www.youtube.com/watch?v=4IVFfiv6wpY

There hasn’t been a huge amount of fanfare about the British comedy drama Submarine but you should try and catch it if you’re looking for amusement, convincing performances and to be entertained. No there aren’t any big name stars but don’t let this deter you from seeking it out at your cinema.

Directed by one of the IT Crowd’s leads Richard Ayoade, he who plays the nerd Maurice, and based on the book by Joe Dunthorne, the film covers a poignant time in the life of teenager Oliver (Craig Roberts). We see him embark on his first serious relationship with a challenging young girl called Jordana (Yasmin Paige) and watch him struggle through the break down of his parents’ marriage.

Oliver is a bit of a loner, trying to find ways to fit in at school, avoid being bullied and understand the complexities of love. You’re with him as he tries to defeat what seems like the inevitable attraction that his mother Jill (Sally Hawkins) has for a past boyfriend new age guru Graham (Paddy Considine) who moves in next door while simultaneously jeopardising his own chances with Jordana. He doesn’t communicate his fears or the reasons behind his own actions when Jordana’s also going through a tough time and needs to hear from him. It doesn’t sound like a comedy, but there are many amusing moments and trust me, you should have a fine experience, nurtured by a suitably melodious soundtrack by Alex Turner from the Arctic Monkeys.

Live music: David McAlmont

12 Feb

The Leicester Square Theatre is the perfect venue for an intimate show like the one David McAlmont put on  earlier this week. The Brixton-based singer took to the stage resplendent in his brown corduroy suit and an array of dazzling insect and animal brooches to take us through his back catalogue of songs. He treated the audience like old friends sharing anecdotes from his past and life in South London. Though his high notes weren’t as high as I thought they would be, he’s an entertainer with a love for a carefully crafted gentle jazz song. He included soothing music from his collaborations with Michael Nyman and David Arnold. However we all were waiting for the hit Yes from the McAlmont and Butler period and it struck me that it was a shame that there wasn’t more included that was a little up-tempo. Still a show to remember.

Film review: The Runaways

20 Sep

Back in the seventies before the global hit I Love Rock n’ Roll, Joan Jett (Kristen Stewart) started out in the all-girl rock band The Runaways with Cherie Currie (Dakota Fanning) as lead the singer. The girls were 15 with a passion for music. Managed by Kim Fowley (Michael Shannon), the band, especially Cherie were encouraged to flaunt their age and sexuality to a potential fanbase to sell their growling, rebellious music.

The film follows the Runaways on tour indulging in a world of sex, drugs and of course rock and roll. Jett and Currie also fell for each other in the intense conditions they travelled in. But the lifestyle eventually took it’s toll on Cherie.

If you ever had a hankering to be a rock star, the film will reignite a little excitement. However at the end of the day, though the Twilight saga stars Stewart and Fanning kick ass you feel that Floria Sigismondi’s film based on Currie’s biography was a slight tale to bring to the screen. But it was good fun while it lasted.

Film review: Coco Chanel and Igor Stravinsky

5 Sep

You may expect, with a biographical movie about a fashion legend such as Chanel (Anna Mouglalis), to see much of her fashion but this isn’t the purpose of the movie directed by Jan Kounen. In this French production set in 1913, there are scenes that hint at her powerful place in fashion but this really looks firmly at the affair she had with the great composer Stravinsky (Mads Mikkelson).

The Russian composer is struggling financially and the affair starts when Chanel offers a home to him and his family, including his sick wife, at her villa just outside Paris. In Chanel’s gloriously stylish black and white decor home, he is able to make progress with the Rite of Spring, a ballet which controversially eventually causes a riot as some feel it is too modern for it’s time.

Chanel has a strong physical attraction for the composer and he for her. They embark on a sexual relationship with no boundaries and seemingly no conscience while Stravinsky’s wife (Elena Morozova) is but a few rooms away with her children.

We gain no real insight into what they feel for one another apart from a strong physicality but I took from it some hints. Psychologists say strong romantic relationships need to have a good mix of friendship, respect and the sexual side or else the partners will feel something is missing. With Chanel she seemed to eventually feel the respect was missing and maybe even the friendship – the result of rushing into an addictive physical interaction without even knowing how much they truly like each other as people. For Stravinsky he misses the friendship and support of his wife who understands his relationship to music more than anyone. You could argue that he may never have turned to Chanel if his wife hadn’t been ill. You feel most sorry for the wife who, though her husband still loved her, was turning to someone else for his intimate physical needs. This made her feel worthless, unattractive and isolated. Of course there was only so much of this that she could take and she felt driven to leave the situation – the rejection eventually being too much to bear no matter how much she loved him. The friendship and respect wasn’t enough to sustain her as it wouldn’t be for most. The affair itself was doomed and apparently only lasted a few months in reality.

However these are just my interpretations of their feelings and it certainly did make me think about the structure of relationships as I wrote this. What makes a happy balanced relationship? However, this is just guess-work as none of the insights were quite so direct in the film. This is one of the failings of the movie – that we have to guess and we really do not know what they felt so it makes us also feel a little dissatisfied though it is beautiful to look at and the acting is compelling.

Film review: Black Dynamite

19 Aug

Why did it take nearly a year for this film to reach cinemas on these shores? I knew nothing about it before my most film savvy friend suggested going to see it. Released originally around nine months ago in the US, the spoof blaxploitation picture Black Dynamite has it all – afros (tick); bushy moustaches (tick); outrageous seventies flared trouser suits accessorised with bare chests (tick) and a funky soundtrack (tick).

Supercool Black Dynamite, an ex CIA agent and Vietnam veteran is out to avenge his brother’s murder. Through a myriad of outfits, martial art fight scenes, witty dialogue and of course gorgeous women, you just know he’s going to get there. Played by Michael Jai White, you have to admire Dynamite – this man kicks ass in a very special way. You also have to love the authentic dated feel of the movie. However, my friend and I had to agree that though entertaining, there was a little something missing – maybe it was the edge to the humour that’s lacking in so many films. Despite that, there’s enough content to feel some soul and have a rollercoaster blast with Dynamite.

Music review: Arcade Fire’s “The Suburbs”

15 Aug

Canadian band Arcade Fire’s third album “The Suburbs” is full of songs seemingly dedicated to escaping the boredom of suburban life. It’s the contrast between our dreams and desires for the future and being confined by the way that we live. It’s the frustration of going nowhere when your heart wants so much to flee to a world you’ve imagined. All are brought to life with layers of soaring guitars and yearning melodies. The lyrics convey your desire to stand out from your peers and do what you always wanted to do. Songs like Rococo and Sprawl II (Mountains Beyond Mountains) stir your soul – an album to do your dreaming to.

Music review – Janelle Monae’s Metropolis: The Chase Suite (Special Edition)

6 Aug

US singer Janelle Monae is now starting to make an impact on our senses in the UK even though this grammy-nominated EP was released more than two years ago. She gets off to a dramatic, colourful start with this music designed for sci-fi explorers with heartbeats that skip to the sound ot Outkast and Prince. It’s quirky, energetic and melodious. These tracks are a stirring accompaniment to the day. Allow her world to brighten up yours. After this positive taster, I’ll be seeking out her new album The ArchAndroid: Suites II and III.

Notes about nostalgia

2 Aug

The eighties have been taking me hostage lately. In the last couple of weeks I’ve been to two nights out where the music of the decade was the soundtrack to the night. For the first evening I was in a bar in the city dedicated to the popular eighties hits and for the second evening just a few nights ago it was a bar off Regent Street with one night for pop from that era.

The people I was with differed for each evening – I was the only common link but still the music focused on the tracks we were supposed to connect the eighties with. Music by Spandau Ballet, Howard Jones, Wham! and Abba (though I would argue they are more seventies) dominated both events.

I remember that my tastes as a child of the eighties were quite alternative at the time. I would listen to the radio from morning until midnight, given half the chance, which would open my mind to other music. Some of the less mainstream acts had pretty big hits during that decade.

When you go to these eighties evenings, you never hear music by Afrika Bambaataa, Japan, Echo & the Bunnymen, Grandmaster Flash & the Furious Five, NWA, The Smiths, Public Enemy and even The Stones Roses (who slipped into the late eighties). This was what I liked when I was growing up.

Nevertheless, I have a good time at both these new eighties evenings out. I danced and sang along with everyone else and somehow it raised myspirits. You can be amused and energised by flashes back to pop music that you may not have had a connection with the first time.

It’s like with anything, you get out of it what you put in and really 50% of socialising is how you interact with other people and make the effort to give them a good time. It makes you feel good when you see someone smile. They say smiling is infectious! 

If you just observe and don’t get involved well it’s all going to slide past you and it’s not going to be enjoyable. I used to be guity of this – upset that the DJ’s not playing my favourite tracks (it gave me no joy at the end of the day).

On a grander level with life, if you put energy and enthusiasm in, you should receive some kindness and hopefully the same energy back. If somehow, what is returned to you is nowhere near your efforts, then it’s time to reassess. Life is too short to suffer a lack of kindness and joy. Your energy is precious.

New music review – Alan Pownall’s True Love Stories

1 Aug

With his James Dean styling and the plucky acoustic feel of the first tracks on singer/songwriter Alan Pownall’s debut True love Stories album you get a sense of 50s/60s nostalgia. But then his brooding tones are set to upbeat, less edgy catchy melodies that could feel happily at home in the mainstream or on a soundtrack for a british romantic comedy. In the end it’s all very polished like on the slower Colourful Day. Very pleasant but maybe a little too glossy at times.